Bill Hillman’s Windy City Story Slam Semi-Finals were at the Chicago Urban Arts Society last night.
15 storytellers, 5 make it to the Finals. Here’s who won.
Big Nod to Jeff Kerr of Criminal Class Press and Deb Lewis of 2nd Story who also killed it last night.
I am blessed to share a stage with such talented people. Not only talented but also cool to hang with. Chicago is murdering the game on storytelling right now. It has offered me the opportunity to rub elbows with these mega talents and will make for great “I knew them when” stories for the near future. You may not know these folks now, but you will. #RepChi
Scheme & DJ Scend - Two Turntables and a Mic: Pete Rock Series (by Scheme773)
Dayum!
Muddy Waters “Screamin’ and Cryin’” (5:01)
(After the Rain - Recorded in January, 1969 at Ter Mar Studios, Chicago, Illinois)
Diane, Brian, Rati, and Lawrence Woods were my personal favorites at the Chicago Moth at Martyrs last night.
From the left. Myself, Chicago radio legend WBEZ’s Richard Steele, 2012 Vocalo DJ competition winner DJ Shazam Bangles, Mr. Chicago Music with over 40 years in the business a pioneer in the music industry George Daniels, co-host Shantell Jamison, and legendary Chicago DJ Jesse De La Pena.
George Daniels of “George’s Music Room” with #teamvocalo (Taken with instagram)
I’m probably gonna post this entire album at some point. I’m writing notes and jamming! (HatTip, HT Lily Be)
Doris Salcedo (Colombian, b. 1958)
Untitled, 1989–93, Twenty-two cloth shirts with plaster and steel Collection of Penny Pritzker and Dr. Bryan Traubert, Chicago
Untitled, 1989–93, Twenty-one cloth shirts with plaster and steel Collection of Marilyn and Larry Fields
Untitled, 1989–93, Forty-one cloth shirts with plaster and steel Collection of Barbara Blhum-Kaul and Don Kaul.
MCA Chicago. Doris Salcedo’s stiff white columns of folded men’s shirts hint at something ominous. While these geometric units seem orderly, the poles that pierce the shirts’ right shoulders disrupt the appearance of symmetry, lending an undeniable air of violence. Based on the testimony of forty Colombian women who saw their husbands murdered for participating in organized labor struggles, these works offer a seemingly unassuming counter-monument to victims of state-sanctioned terror. With their workaday banality, the stacked shirts are a poignant reminder of their absent wearers, silent stand-ins for those who have disappeared.